Hollywood’s Iron Curtain Breaking Down
There's an unpublicized battle in the US concerning Hollywood; celebrity gossip, actors, tainted news, etc., revolving around our on-going iron-curtain media-monopoly. The corp Hollywood (Nazi like) machine is relentless in it's endeavors to strangle U.S. and global arts and media with it's supreme control. This network extends to the UK. Hollywood's puppet-masters are in offices of high authority, and big business consortium's. Considered hush-hush, universal common knowledge, by-products of this machine includes establishing and maintaining a highly distrusted, censored and slanted arts and movies, news and publication forum (all media). The new generation is aware that corp Hollywood owns and/or controls most all US major radio stations, T.V. networks, music labels, publishing houses, news papers and magazines, Internet engines and major gossip-rags. Hollywood actors|artists are suffering the brunt of this destructive machine's collateral-damage. The general population feels it's effects indirectly via a sweet chemical-like gassing of celeb-biz-commercialism and relentless propaganda. Older society's showing symptoms of being pacified, mentally and emotionally stagnated, and becoming increasingly miss-informed and/or uneducated. The new generation will have none of it. "Fuck Hollywood" is their motto! They refuse to become like pre WWII Germany who chose to be passive regarding the same Hollywood techniques that the US endures today.
Our current arts|media course has dismantled the arts and oppressing actors|artists. US movie actors are equivalent to royalty in the UK. They're the figureheads for arts-media in the U.S.. It's highly unlikely that it's by accident that this intelligent, corporate media monopoly machine undermines the importance
of the arts-media by framing them as a silly commercial clown and
defrocking it's representatives?
This implies that Nazi-Hollywood dept-heads encourages the masses to consider Hollywood's goings-on as just an after thought for the simple minded. Common sense suggest that being passe towards this issue helps enable Hollywood's seemingly unstoppable machine. It could be argued that responsible societies who are interested in an immediate higher state of affairs for themselves and their children closely monitor the logistics of the arts-media...and consider the
front cover of gossip magazines and slanted news blurbs not as a joke, but as a blatant and insulting indicator of an attempt at mass manipulation. Case in point; why are major world news stations filling air time with trite celebrity gossip in stead of hard news.
These same representatives (actors|artists) - and art itself - embodies freedom of speech. This filters into society. Can the people become a united collective..motivated in the belief that, "Your wildest dreams can come true" without relying on war as it's vehicle for unity? Yes. As the rightful overseers of our arts, the people are bound by self preservation and civil duty to be closely involved in this most precious and essential institution. SAVE THE ARTS, along with the seals, the planet the ozone, Africa (diamonds, the next world war), the fur bearing animals, the trees...
It's become beyond--ridiculously--obvious that the corporate monopoly machine of Hollywood, in conjunction with those in power throughout the United States with it's silent consortium's here and abroad, utilizes the arts-media to influence, manipulate and ultimately dominate. It could be debated that when the major corporate players from Germany first started out in the U.S. arts, in about 1920, "their eyes were big blue question marks". Clearly, those eyes are now "big green dollar marks." The old adage 'control the media, control the people' which the overly ambitious and single minded seek for unchallengeable supremacy is not worth debating. SAVE THE ARTS instead, ignore all mainstream media.
Iconic of arts, actors, artists are bearing the brunt of the intent, efforts and oppressive political, business and labor practices of this machine. More and more are showing indicators of distress as the takeover of the arts-media continues. A catalyst to examine this; ' The Art's Martyr', a decade ago she suffered unfair labor practices...a virtual loss of young motherhood while under studio contract, and her subsequently being black balled--just one of many--such common occurrences, highlights corp's ulterior motives.
Critical to the success of corp's takeover, the Hollywood gossip machine promotes a pointed lack of empathy for actors|artists. Corp Hollywood paints a facade via news blurbs and gossip-rags that actors are overindulged tycoons instead of their true position as corp's oppressed pawns in golden cages...sweating whether or not they'll get that next project. The new generation is ignoring the old Hollywood regime and especially any of it's media products as they actively ...participate in the US society's ever mounting
fight concerning the arts-media and they're ownership. In this, our most visible representatives in the arts, our actors ...artist...need the peoples supreme support. Our artist|actors are essential workers. They are to be celebrated...not berated.
The new--take action--generation’s message is clear. “F***K HOLLYWOOD” is their relentless, shouted motto. The new generation's ideology concerning this, seemingly immature, approach is “if you’re one that has to be convinced of the issue, with all the how, when, what, where and why’s of it ...then you are the big part of the problem, go away! ...take action, produce now, freely, find a way ...or do, say anything, something against it—always ...ignore the current forum, platform, all of it! ...And question everything!!! ...or you are the problem!”
Being that, the current dying Hollywood is an unchallenged expert (90 years) in doing battle on this media-monopoly, oppressive front, backed by unstoppable means and with empowered governing puppet-masters ...Our immature new generation may not be that immature or unwise after all. You choose;
...the German people did (see, pre WWII) in their lack of omission to choose.
I see it is more difficult to pull anything concerning your writings lately. Bravo for your continual efforts ...don't stop.
best wishes unFame.com
Posted by unFame to The Sarraseca Code at 12:34 AM
1 comentario:
unFame says: “X-Files 2 Gillian Anderson Bullied Again by Nazi Hollywood, 2007”
hey
* what is the story-x files 2-no go: the “cover up” story here in LA, CA. about why it has been halted (cover up-see-anderson’s 2002 untold story, could become rehashed, VERY PUBLICLY at this juncture) ...well, let’s give a small --prelude-- before repeating old hollywood’s most recent, horse crap, public statement regarding why x files 2 is dead stop at this point. ...you see, hollywood seldom has a completed script before contracts are signed and production begins ...sometimes there is no script at all, just rough draft outlines. this is a most common practice. --end prelude--
{hollywood’s current said story: to paraphrase, it is a dead project, again, because “carter reveals” that there is a hitch in the script, and “david said” it was suppose to be a sure thing this time, because all are on board and everybody is in love, and with the idea ...but it seems to be stopped.}
GILLIAN ANDERSON’S name was NOT EVEN mentioned—and for good reason.
TO analyze old hollywood’s above cover up:
a. david has no authority to speak publicly concerning the go ahead on any of hollywood projects accept that which he has been ordered by corp.—least he be sued by old hollywood. so, old hollywood made him be their fall guy spokes person.
b. hollywood’s standards for beginning projects usually have no completed script before shooting begins and often no script at all.
SOLUTION: ...so, ...hmm ...let’s see ...what could be the real reason why this projected stopped? who has the most to gain in this project going through? moreover, who has the least to gain? was hollywood’s voice coming through david when he proclaimed it would happen? was hollywood threatening her again should she not cooperate? would the public hate her if she stopped this beloved project, adding more to the damage done her reputation from these same past tactics? if it were stopped by gillian anderson would her rep backslide further just at the time her reputation is coming up fast—no thanks to old hollywood, because she might be portrayed as rejecting her fans?
ANSWER: anderson is too aware of how potentially dangerous this dying giant, old hollywood, can be which has enough kick left in it to harm. carter, david, old hollywood, us in the know in LA, CA., and most certainly anderson all know that when david came out publicly on this: old hollywood was positioning her to bend over and take it up the ... one last time before they suffer the exact same fate they did to her, and before she finally breaks through to stardom again, in spite of old hollywood. (please remember anderson is the only person known to have just walked in their office one day and say I QUIT!)
what a feather in old corp’s hat it would be, at this very public, crossroads in history: if corp could force anderson ...this new generation’s spokesperson (new generation has broken old hollywood’s iron curtain over the US) to get down on bended knee, as they slither off the stage ...and with the proceeds from the humiliation of anderson, x files 2 project, in their pocket. this whole thing is about old corp hollywood trying to get some pocket money for moving out, and payback against her for starting a crack in the dam, 5 years ago, which has destroyed old hollywood.
anderson knew that she would have to make some kind of statement to old hollywood’s public threat to make this x files 2 with her involvement. it was, is obvious anderson is wise in this ...see closely her chosen words in her initial statement: her statements have been in two parts. 1. first was to ensure her fans that she does care for them. 2. then her recent follow up public statements screamed to old hollywood, don’t even think about f**king with me. (see her bringing up her documented, untold story, which scares the hell out of old hollywood).
old hollywood did not have to contact her and threaten her to make some kind of initial complying statement towards the project after they made there move through david-gutless wonder. they knew she had no other choice because her fans would expect it. however, old hollywood also knows that she, and most all in the US are aware that corp is, despised, bust, is currently operating on borrowed time, and all bluff. everything is in place for shooting the project now. but if anderson refuses to answer her phone concerning the date for showing up on set ...well they can’t make her answer her own phone, though anderson knows that old hollywood is attempting same as we speak. the hitch in carter’s script is most obvious ...no anderson ...no x files 2.
old hollywood’s last statement might as well have stated that it’s all her fault. however, if they are direct and stated that, anderson’s attorneys would have a field day with old hollywood in public court and her untold story WOULD MOST CERTAINLY BE COMPLETELY UNHIDDEN.
each day that passes old hollywood is losing power and must soon leave town. she most likely will continue to put them off as long as possible until they make their next move against her with another slanderous threatening public statement. yet, old hollywood has other extremely serious financial issues to deal with immediately, NOW ...past bankers and investors are lining up, like waiters with the unpaid bill in hand. they have little time to deal with this side issue of revenge, and pocket money with anderson and x files 2.
Conclusion: what would you do if all abandoned you (see above) while Nazis stole your first motherhood—under contract—then did everything possible to destroy your reputation, and ability to work again in your said field ever, because you protested. what would you do if a perpetrator publicly, freely raped your life, your child’s life—while co-workers watched on--then came back 5 years later insisting that you cooperate in giving to them on bended knee? ...answer the perpetrator’s phone calls as to the date of said forced event?
Gillian Anderson best known for her role ...as Gillian Anderson, beloved for seldom compromising her core characteristics of integrity ...even should it cost her everything. corp hollywood hates that more than most can possibly conceive.
* frightening to see how UK Media is monopolized same way as the US tabloids: it goes much deeper than tabloids in the UK and US, much deeper (all) ...that’s just the indicators. not to worry though. however, initially it is indeed shocking to awake after choosing the “red pill—not the blue pill” -see The Matrix. old hollywood is dying quick, and will be off soon enough. the iron curtain in the US, to include their networks in the UK, is breaking down as we speak. watch the indicators in the media. the freedom of speech (see anderson’s continual gutsy voice regarding tv—hollywood--ruins society), is rushing in like a crack in the dam ...it cannot be stopped ...see new generation, ”F**k hollywood” ...internet arts rule. the new current “cage fight” for the approved NEW managers of US arts|media that extend to networking in the UK, who for now, we’ll just call “Rudolph the red nose reindeer” will be taking over old hollwood’s networks in the UK and will INITIALLY comply with the people, because the--really too much to state here--arts|media are finally, after 90 f**king years, in the hands of the people ...see internet ...and Rudolph knows if they want a piece of this deliciou$ pie they will capitulate or they will not profit ...see, too massive to control without the peoples cooperation. FYI, in the US regarding anderson’s concerns about the media monopoly ...it is not about liberal or conservative ...democrat or republican ...or religion, culture or race, etc. it’s about the great verses the people.
bravo anderson! ...bravo! ...ring, ring! ...ring, ring!
best wishes, the vishitor
thanks for having me
Publicar un comentario